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Spiritual Traditions

Dogon people and tradition

c. 15th century – present

Bandiagara Escarpment, central Mali (extending into Burkina Faso)

The Dogon of Mali's Bandiagara cliffs and plains keep living traditions of masked dances, ancestor rites and Awa initiation; their homeland is a UNESCO World Heritage cultural landscape of 289 villages.

Dogon wooden sculpture of a seated couple, 18th–early 19th century
Credit: The Metropolitan Museum of Art, Gift of Lester Wunderman, 1977. License: Public domain (Met Open Access, CC0).

People and land

The Dogon, numbering roughly 600,000 according to Britannica, live mainly on and around the Bandiagara Escarpment in central Mali, with some across the border in Burkina Faso. Most Dogon are farmers. Craft specialists, especially metalworkers and leatherworkers, form distinct groups. There is no central government. Villages are organized around patrilineages, each led by its senior man. The Dogon language has many dialects, and linguists are unsure how it relates to other West African languages.

According to Dogon oral accounts, recorded by the French ethnographer Marcel Griaule in 1933, the Dogon reached the escarpment in the 15th century. There they found an earlier people, the Tellem, who used the cliff caves. The two groups seem to have lived side by side for about a century before the Tellem disappeared. Museum scholars still debate which carved figures are Tellem and which are Dogon.

Religion and ritual

Most Dogon follow their own religion, though a minority are Muslim and fewer are Christian. Each district has a hogon, a priestly leader who lives apart from others, and UNESCO notes the snake Lèbè as a source of inspiration. Ancestors are honoured in ritual. Binu shrines, some cut into caves and some built like houses, mark sacred places.

Masks are central to Dogon ritual. Members of the Awa society carve the masks and dance them at commemorations of the dead. Every sixty years or so, Awa carves a new Great Mask (imina na) for the Sigui celebration, which honours a whole generation of elders. The Great Mask is seldom worn; it serves as an altar and an emblem of community life.

Architecture and landscape

UNESCO inscribed the Cliff of Bandiagara as a World Heritage site in 1989 for both its cultural and natural value. It notes 289 villages and an architecture tied closely to religious thought. Features include the togu na, a low shelter on wooden posts where men meet; square granaries with pointed thatched roofs; and large two-storey family houses. UNESCO lists drought, climate change, rural exodus and tourism pressure as threats. Since 2019 it has also run emergency work for communities affected by conflict.

The Sirius debate

Griaule and his colleague Germaine Dieterlen reported that Dogon elders held detailed knowledge of the star Sirius, including an unseen companion. This claim has drawn sharply different readings. In The Sirius Mystery (1976), Robert Temple argued that the knowledge came from visitors from the Sirius system. Carl Sagan proposed instead that a 20th-century Western visitor passed on modern astronomy, which was then woven into local myth. The anthropologist Walter van Beek, after fieldwork from 1979 to 1989, found that the Dogon he worked with gave Sirius little importance. He argued that Griaule had built scattered myths into a single grand system. Mary Douglas, replying to van Beek, suggested that esoteric knowledge held by elders could have faded over fifty years. The Chandra X-ray Center's account treats the extraterrestrial explanation as unsupported.

Achievements

  • 15th century: by Dogon oral accounts, settle the Bandiagara escarpment, where the Tellem already lived
  • Distinctive architecture of togu na meeting shelters, thatched granaries, family houses and binu shrines
  • Awa mask society carves a new Great Mask (imina na) for the Sigui, held about every 60 years
  • 1989: Cliff of Bandiagara (Land of the Dogons) inscribed as a UNESCO World Heritage site

Related entries

Sources

  1. UNESCO World Heritage Centre, "Cliff of Bandiagara (Land of the Dogons)" (Primary source)
  2. The Metropolitan Museum of Art, "Imina Na (Great Mask)" (Primary source)
  3. Giulia Paoletti, The Metropolitan Museum of Art, "Female figure with raised arm" (Tellem/Dogon) (Primary source)
  4. Walter E. A. van Beek, "Dogon Restudied: A Field Evaluation of the Work of Marcel Griaule", Current Anthropology 32(2), 1991 (via Yale eHRAF World Cultures) (Scholarly)
  5. Chandra X-ray Center (NASA / Smithsonian Astrophysical Observatory), "Sirius Matters: Alien Contact" (Scholarly)
  6. Encyclopaedia Britannica, "Dogon" (Reference)

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